A Different Kind of FOMO

I chuckle when I stop to skim through previous posts from years ago that I barely remember and find themes and topics that I forget I’ve written. I’m sure that if some SEO, “digital strategist,” or PR person were ever to happen upon this haphazard collection, it would cause an upturn of the nose, potentially a sniff, followed by “this is why you need me.”

Fortunately, this space isn’t meant to be some perfectly polished and curated work. It’s a constant work in progress and push towards greater skill. AKA, I can do whatever the hell I want and however the hell I want. It’s a very liberating feeling.

Tangential thought aside, it is funny to me when I find those common themes, even years later. I’ve written about FOMO before, back in 2016, but today I’m thinking about it in a slightly different context. I find that during those amazing probably-once-in-a-lifetime travel moments, I get the FOMO bad. Instead of taking the time to apply some technical knowledge or think critically about composition, I snap the lazy shot. It’s only in post that I realize how silly that is when those shots aren’t very interesting. They’re kind of cool, but doesn’t make you feel anything or react in any kind of way.

I clearly love to travel and go to new places, which means plenty of new experiences, some of which I do want to document and look back to say “hey remember when x happened?" But, it’s hard when that mixes with when I’m trying to actually push to the kind of photography that makes you feel something. I find it hard to shoot mundane subjects because they’re kind of boring and everyday by definition, but that’s also where I can focus 100% on the technical aspects and consider how the light falls on something boring AF. I don’t get caught up in the moment of sensory overload in an amazing new place and experience.

That’s a hard temptation to resist though - it’s not exactly fun to do technical drills, but it’s probably something I need to do more of to really push to the next level. I’ve gotten away largely with “good enough” or “lucky enough,” for the past 850 hours and almost 7 years… it’s definitely time to uplevel my progress with some deliberate practice.

f/8 @ 1/500 sec - this is one that if I could redo, I would have at minimum, opened the aperture up and cranked up the speed to remove the distraction in the background.  Light was tough since it was pretty harsh.

f/8 @ 1/500 sec - this is one that if I could redo, I would have at minimum, opened the aperture up and cranked up the speed to remove the distraction in the background. Light was tough since it was pretty harsh.

Generally still love this shot, but it would have been interesting to line up his blue eye with the sunbeam streaking through.

Generally still love this shot, but it would have been interesting to line up his blue eye with the sunbeam streaking through.

Active Shooting Time: already counted
Review Time: 1
Hours To Date: 850

Cameras Aren't Eyes

One of my early frustrations was figuring this out - that cameras aren't great at replicating the exquisite details the human eyes take in and transfer to the brain for final picture stitching.

And yet, sometimes you can get the composition just right. Noisy as hell, but this is a close representation of the sunset reflection I actually saw off the display of my DSLR.

Can't wait to head out with my new upgraded kit too! 

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Active Shooting Time: 15 min
Review Time: 15 min
Hours To Date: 369.5