Timing

"It's always about timing. If it's too soon, no one understands. If it's too late, everyone's forgotten." - Anna Wintour The summer has positively flown by. I can't believe I start school orientation next week and then immediately jump on a plane for my "Last Hurrah" trip to Hawaii, which will honestly be the last photo-centric trip I'll be able to take for some time. I'm sure there will be many opportunities to photograph interesting goings-on with grad school, but that probably won't be at front of mind with actual studying, case analyzing, and paper writing going on.

Since the week in Hawaii will be rich with interesting subjects, I hope to make some improvements to the quality of photos I'm able to take. Thus, I've been reading up on various strategies to coax out sublime colors and light and I've come to the conclusion that it's all about timing.

There are really two optimal times of day and  a 15 minute or so window at each time for amazing natural light: sunrise and sunset (ha, like the Fiddler on the Roof song). And this is where it'll be an interesting challenge, since I'm not generally a morning person and with this last vacation before the maelstrom of working full time and going to school part time starts, I do want to actually enjoy myself and relax. Again, it will come down to striking a balance! I hope to be able to get up for the sunrise at least once or twice during the week. Sunset will be a little easier to negotiate, we'll just have to make sure our dinner reservation doesn't overlap with it! Some of the tourist things we'll do will inevitably coincide with non-optimal harsh light, but c'est la vie.

I might even experiment with the aperture/shutter speed priority modes. To date, I've shot exclusively in manual mode, which has resulted in some over/underexposure, but was a great way to learn how to adjust on the fly and make artistic choices. The downside to that is that sometimes, images won't come out quite right and I don't always react/adjust the settings quickly enough to catch a moment before it's gone. I may start sprinkling in some of the priority modes just to increase the chances that I get a salvageable shot since I'm working sans light meter. I find that when photographing things in the moment, it frequently comes down to luck.

The benefit of this trip is that I'll have lots of opportunity to take a lot of photos - my goal is at least 1500 shots through the whole trip and the law of large numbers should let me see where my skill level shakes out on average. Not to mention more images should result in a higher absolute number of "good" shots.

Book Learning: 2 Hours to Date: 177

Correct Exposure: The Struggle is Real, Part II

Read Part I

Underexposed photos have been a unique source of frustration for me lately and since my typical Plan A of "experiment, experiment, experiment" wasn't getting me the results I wanted, it was time to move to my typical Plan B - do some research and read about the process to understand where to troubleshoot.  In the event that Plan B doesn't pan out, I move to Plan C of find an expert who can explain the problem to me.
Fortunately, in this case, Plan B worked out beautifully.  The first source I turned to was Understanding Exposure, 3rd Edition by Bryan Peterson.  I purchased this book a few weeks ago to read up on some of the theory and finally cracked it open today to start reading more about the technical side of photography and more precisely troubleshoot problematic exposure.  It's a veritable textbook (but entirely more accessible and full of pictures!) on the subject and focuses on what Peterson calls the "Photographic Triangle" of aperture, shutter speed, and ISO (film speed).  Right away, I knew I'd need to start playing around with setting my own ISO in poor lighting conditions instead of relying purely on the camera to work its automatic magic, as several other photographers have recommended. Since this book will take some time for me to read, absorb, and apply, and the first 27 pages didn't delve into my exact problem, I took to the Interwebs.
My biggest problem was not understanding the discrepancy between my camera's internal light meter, the preview on the LCD screen, and the uploaded image to my "big screen."  The magic of Google came into play when I typed in "discrepancy between DSLR camera preview and final image" and this tutorial from SLR Lounge was among the results.  I'm not going to repeat all of the technical details, which the author explained so well (I especially enjoyed the colloquial term "chimping"), but now I'm clear on the differences and advantages/disadvantages to the different metering options built into the camera.  Additionally, I'm going to look into adding a light meter to my camera bag, or at least learn to use a gray card.  After all, I don't want to get so bogged down in gear that I miss life's moments.  Not to mention, there's such a thing as creative exposure that may not be the "accurate" exposure, but still an artistic choice nevertheless!
And with that, I'm adding a new category of hours: book learning!  Also, celebrating my 151st hour!!
You absolutely wouldn't be able to tell from this photo, but this was a perfectly cooked rare steak I made for dinner.
MUCH better!! Food photography is a whole other challenge entirely and the composition is pretty meh, but at least you can finally see the subject to even be able to make those judgments!!
Active Shooting Hours: 0.5
Review Hours: 0.5
Book Learning: 1
Hours to Date: 151